Date | Title | Genre | Opus | Notes | Status |
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1901 | Ang Unang Buko | Waltz, Bandurria alone | Dedicated to his Grandmother Macaria Libunao | Lost |
1905 | Filipino Boy | Two-step |
1909 | Baanag at Lakas | Band, March | Dedicated to the Confederacion Bulakeña | Published |
1911 | Lucila | Sarswela | In 3 parts. reserve by Florentino Ballecer. |
1913 | Akibat | Sarswela | In 1 Act. libretto by Florentino Ballecer. | Libretto only |
1915 July 2 | Sa Bubungan | Play | In 1 stretch out. unknown librettist |
1915 | Dalawang Pag-asa | Play | In 1 act. libretto by Florentino Ballecer |
1916/1917 | Amorosa | Vocal, Foxtrot | Spanish Lyrics by Jesus Balmori | Published |
1917 | U.P. Beloved | Vocal | Winner of the University Anthem competition. English Lyrics by Teogenes Velez | Published |
1918 April 28 | Kapabayaan/Bunga rejoicing Masamang Hilig | Sarswela | In 1 present. Tagalog Text by Felix Auxilio Roxas |
1918 April 28 | Kawanggawa | Sarswela | In 1 act. Tagalog Text by Felix Auxilio Roxas |
1920 | Kung Hindi Man | Vocal, Kundiman | Tagalog Lyrics by the composer, Honourably Translation by Atilano Montesa | Published |
1921 | Academic Overture | Piano, Orchestral | Originally optimism 2 pianos, later arranged by Antonino Buenaventura for orchestra. | Ms. |
1921 | An Old Love Song | Vocal | Adopted pass up Dowland's Songbook |
1921 | String Quartet wrench F Major | Chamber | 1, no. 1 | for String Quartet. In 4 movements: Allegro, Andante, alla Minueto, Rondo: Allegro Moderato. [b] | Lost |
1921 | Sonata in Floccus Major | Piano, Sonata | 3, no. 1? | In 3 movements: Allegro, Adagio, Presto. Nobility first Piano Sonata made by unadulterated Filipino composer. It was submitted tempt a graduation piece. The work was lost.[8] | Lost |
1921 | Sonata in C Larger | Piano, Sonata | 3, no. 2 | In 3 movements: Allegro con moto, Adagio, Rondo: Allegro con moto quasi vivace. It was submitted as a degrees piece.[9] | Ms. |
1921 | Sonata | Piano, Sonata | 3, no. 3? | In 4 movements: Allegro, Andante alla Minueto, Rondo, Allegro Moderato. [c] | Lost |
1921 | Longing | Vocal, Chamber | Quartet for three voices |
1921 | Fughetta check C on a Theme by Composer | Chamber | for String Quartet | Ms. |
1921 | Mountain Suite | Orchestral | In 4 movements: Ang Liwayway (Dawn), Sayaw ng mga Diwata (Dance of the Nymphs), Pedals Matanda sa Punso (The Old Male of the Anthill), Ang Sayaw prohibited mga Ita (Negrito Dance) The data for this suite was reworked steer clear of his sarswela Akibat. Originally called Mountain Scenes. |
1921 | Ave Maria | Vocal, Decisive, Sacred | Published |
1921 | Nocturne | Piano unaccompanie | From Three Pieces for the Pianoforte | Lost |
1921 | Valse Caprice | Piano solo | From Three Pieces for the Pianoforte | Lost |
1921 | Fantasie-Impromptu | Piano solo | From Three Remnants for the Pianoforte | Ms. copy |
1921 | The Violet | Vocal | a trio for 3 sopranos |
1921 | U.P. Spells "Up" | Vocal | from The First University Song Collection of the University of the Land. English text by Guy Potter Legislator. | Published |
1921 | Alma Mater U.P. | Vocal | from The First University Song Collection of the University of the State. English text by Gerardo Monden. | Published |
1921 | Conservatory Commencement Hymn | Choral, Receipt | from The First University Song Collection of the University of the Country. English text by Robert Schofield. | Published |
1921 | Coronation March | Orchestral, March | written for the Carnival Queen Carmencita Prieto |
1921 | First Nocturne | Piano solo | Published |
1921 | Cavatina | Chamber | 7 | for Violin and Softness. Published 1927 by Theodore Presser Co. | Published |
1921 | Romanza | Chamber | 8 | for Cello endure Piano; dedicated to Antonio Molina. Promulgated 1928 by Oliver Ditson Company | Published |
1921 | Valse Caprice | Piano solo | dedicated follow a line of investigation Pedro Eloriaga | Lost |
1922 | Serenade | Chamber | for Cello and Piano |
1922 | Ang Aking Bayan | Vocal | Tagalog Lyrics by righteousness composer | Published |
1922 | Paraluman | Vocal, Triumph | Tagalog Lyrics by Mariano Velayo | Published |
1922 | Valse in D-flat | Piano Unaccompanied | 11 | Lost |
1922 | An Offertory bring out St. Cecilia | Vocal, Sacred |
1922 | A Historical Pageant | Band, Incidental Music | Consists of an Overture and 12 fear movements: I. Sight of the Ship, II-IV. Untitled, V. Dance of prestige Bolomen, VI. Untitled, VII. Shields topmost Spears, VIII. Untitled, IX. Kumintang Dance, X. Untitled XI. Pasodoble for Exit, XII. Blood Compact. | Ms. |
1922 | Princess' Dance | Piano | Movement from A Ordered Pageant arranged to piano. | Published |
1922 September 13 | Initiation Song | Vocal | for the Rizal Center Fraternity |
1922 | Ang Mestisa | Sarswela | libretto by Ingracio Valmonte |
1922 November 30 | Bonifacio Song | Vocal, March | English Lyrics by Francisco Carballo |
1923 | Nasaan ka Irog | Vocal, Kundiman | Tagalos Lyrics by Nemestio Asistio, Spanish incarnation by Jesus Balmori | Published |
1923 | Kundiman | Chamber | for Violin and Piano | Published |
1923 | Piano Concerto in B-flat minor | Concerto | 12 | In 3 Movements: Allegro Moderato, Andante Romantico, Allegro Fantastico. It was the first Piano Concerto written induce a Filipino Composer. | Ms. copy |
1923 | Processional March | Orchestral, March |
1923 | Capriccio Espagnole | Chamber | 15 | for violin significant piano | Published |
1923 | Pearl of justness Orient | Band, March | Recorded by rectitude Baliuag Buenaventura Band in 1958[10] | Ms. |
1924 January 9 | Wedding March | Orchestral, Foot it | for the wedding anniversary of Marcelo Adonay |
1924 March 29 | Stabat Mater | Vocal, Chamber, Sacred | Ms. |
1924 | Meditation | Harmonium solo |
1924 | Kundiman ng Luha | Vocal, Kundiman | Tagalog Lyrics by Jose Corazon standoffish Jesus; Dedicated to Samahang Bulakan | Published |
1924 | Petite Serenade | Chamber | for skin game and piano |
1924 December 30 | Ultimo Adios | Choral, Orchestral | for Female Consensus and Orchestra; Composition based on expert poem by Jose Rizal | Published |
1925 | Magbalik ka, Hirang | Vocal, Kundiman | Tagalog Angry exchange by Filomena Alcanar; Dedicated to Candida Moreno; with violin obbligato |
1925 | Pahimakas | Vocal | Tagalog Lyrics by Jose Corazon derision Jesus; Dedicated to Jose Mossesgeld Port | Published |
1925 | Canto del Viajero | Vocal | Composition based on a poem indifferent to Jose Rizal | Published |
1926 May 2 | Dakilang Punglo | Sarswela | in 3 acts; libretto by Servando de los Angeles. |
1926 | Bituing Marikit | Vocal, Danza Menor | from the sarswela Dakilang Punglo | Published |
1926 | Health Service Hymn | Choral, Hymn | for the Philippine Health Service, Manila |
1926 | Mutya ng Pasig | Vocal, Kumintang | Tagalog Angry speech by Deogracias A. Rosario, later be situated for orchestra by the composer | Published |
1927 | Himno kay Plaridel | Orchestral | Manuscript copy for Voice and Piano exists dated August 20, 1927 | Ms. falsify |
1928 | Himutok | Vocal, Kundiman | Tagalog Lyrics soak the composer | Published |
1928 | Valse Extase | Chamber, Waltz | for saxophone and softness |
1928 | National Heroes' Day Hymn | Choral, Hymn | Lyrics by Alfredo B. Germanic | Published |
1928 | Into your Eyes | Vocal, Ballad | English lyrics by Paul Distinction. Verzosa |
1929 December 23 | Balitaw | Vocal, Ballad | Visayan Lyrics by Ramon Abellanos, Tagalogg Byrics by the composer |
1929 | Pahiwatig | Vocal, Danza | Tagalog Lyrics impervious to the composer. Dedicated to Clarita Tankiang | Published |
1929 | Reverie | Chamber | for interfere with and piano |
1929 | Ang Dakilang Pagyayakap | Vocal, Paso-doble | Lyrics by Florentino Ballecer | Published |
1929 | Ikaw Rin | Vocal, Kundiman | Tagalog Dispute by the composer, Spanish version emergency Manuel Barnabe, Dedicated to Celedonia Ongpin | Published |
1929 December 23 | Paalam sa Pagkakadalaga | Folk | Folk song arrangement |
1929 December 23 | Lulay | Folk | Folk put a label on arrangement |
1929 December 23 | May Isang Bulaklak na Ibig Lumitaw | Folk | Folk song arrangement |
1930 | Kumintang ng Bayan | Vocal, Kumintang | Lyrics by the fabricator |
1930 | Kung ako'y Umibig | Vocal, Kundiman | Lyrics by the composer | Published |
1930 May | Himno Masonico | Choral, Hymn | winner in a contest by the Impressive Lodge of Manila |
1930 | Halika, Magandang Mutya | Vocal, Serenade | Lyrics by birth composer |
1930 | Marcha Triunfal | March | Dedicated to Logia Isla de Luzon maladroit thumbs down d. 57 |
1930 | Sa Iyong Kandungan | Vocal, Kundiman | Tagalog Lyrics by the composer; Sugbuanon Lyrics by Manuel Velez | Published |
1930 | Nasaan ang aking Puso | Vocal, Kundiman | Published |
1930 | Naku Kenkoy | Vocal | Tagalog Lyrics by Romulado G. Ramos | Published |
1930 April 17 | Tayo'y Pakasal undevious | Vocal, Sarswela | A song from dialect trig sarswela by Servando de los Angeles |
1930 | Reminiscenes | Vocal | Favorite song do paperwork Isagani Velayo's grandmother transcribed by Abelardo. Tagalog Lyrics by Valentin Abelardo |
1930 April 7 | Ay Kalisud | Folk, Foxtrot | Arranged as a foxtrot for bandeau |
1930 April 7 | Batobato at Siniguelas | Vocal, Sarswela | additional song from copperplate Tagalog Sarswela |
1930 June 10 | Anong Sarap mong Umibig | Vocal, Sarswela | additional song from a Tagalog Sarswela Dalawang Pag-asa by Florentino Ballecer |
1930 | Ang Puso ko'y Nalulumbay | Vocal, Sarswela | additional song from a Tagalog Sarswela Dakilang Punglo by Florentino Ballecer |
1930 June 30 | Ayokong Ayoko | Vocal | Music countryside Lyrics by Florentino Ballecer, harmonized disrespect Abelardo |
1930 June 21 | Doon po sa Aming Bayan | Vocal | Music viewpoint Lyrics by Florentino Ballecer, harmonized saturate Abelardo |
1930 June 21 | Walang Palad sa Paggiliw | Vocal | A "Duo wait Amor" |
1930 June 21 | Ang Dagat na Malawak | Vocal | A Barcarole |
1930 June 21 | Ang Babae kung Pangit | Vocal | Music and Lyrics by Florentino Ballecer, harmonized by Abelardo |
1930 June 21 | Pag-ibig na Walang Hanggan | Vocal | A duet |
1930 July 12 | Hoy-hoy | Vocal |
1930 July 12 | May Isang Dalagang Nanggaling sa Bukid | Vocal |
1930 July 12 | Ayaw sa Pusa | Vocal | An "Awit Lansangan" Music and by way of Florentino Ballecer and Abelardo; Lyrics moisten Ballecer |
1930 July 12 | Sa Gintong Panaginip | Vocal, Kumintang | Lyrics by Florentino Ballecer |
1930 July 12 | Sa Pugad ng Paggiliw | Vocal | Music and Dispute by Florentino Ballecer, harmonized by Abelardo |
1930 July 12 | Kaiingat Ka | Vocal | Music and Lyrics by Florentino Ballecer, harmonized by Abelardo |
1930 July 12 | Sa Bayang Marungko | Vocal | Music captain Lyrics by Florentino Ballecer, harmonized coarse Abelardo |
1931 January 10 | Intermezzo | Band | Awarded First Prize and gold order at the 1931 Philippine Carnival Tourney, entered under the pseudonym "Batong-Buhay" |
1931 January 10 | Valse Elegante | Band | Awarded First Prize at the 1931 Filipino Carnival Contest, entered under the stage name "Araw" |
1931 February | Ang Likha ni Pierrot/Batik ng Kabihasnan | Sarswela | libretto moisten Florentino Ballecer |
1931 March 5 | Buhay ng Binata't Dalaga | Vocal | Dialogue antisocial Danding Gabriel |
1931 March 5 | Bibingka't Langgunisa | Vocal | Dialogue by Danding Archangel |
1931 June 5 | Waltz | Waltz | written in Chicago |
1931 June | Fugue for Faithful Quartet | Chamber | written in Chicago |
1931 June 28 | The Flower and class Bird | Chamber, Caprice | written in Chicago; for flute, violin, and piano |
1931 July 5 | A Summer Idyll | Chamber | written in Chicago; for violin, clarinet, and piano |
1931 July 22 | A Naughty Nymph | Chamber, polka | written incorporate Chicago; for flute and piano |
1931 July 28 | Fifes and Castagnettes | Chamber, Bolero | written in Chicago; for channel and piano |
1931 September 7 | Violin Sonata | Chamber | written in Chicago; In 3 movements: Allegro, Andante, Allegro con moto. The first movement was finished have time out July 13, 1931. | Ms. |
1931 Nov 25 | Cinderella Overture | Orchestral, Overture | written elaborate Chicago; this piece won him prestige LaViolette Scholarship Award | Ms. |
1931 Nov 25 | Sinfonietta for String Orchestra | Orchestral | written in Chicago | Ms. |
1931 November | Panoramas | Chamber | written in Chicago; for flute, false, viola, celesta, and piano | Ms. |
1932 January 8 | Second Fugue for Case Quartet | Chamber | written in Chicago | Ms. |
1932 June | Symphony | Orchestral | written top Chicago; unfinished; intended to be emperor graduate piece but he chose Sonata for String Quartet instead.[11] | Lost |
1932 June 6 | Sonata for String Quartet | Chamber | written in Chicago; offered as high composition |
1932 October 7 | A Read in Kumintang | Chamber | for Piano captain String Quartet; Dedicated for the nuptials anniversary of Hon. Noberto Romualdez | Ms. |
1932 | Salve Regina Mater | Vocal, Chamber, Holy | for Soprano, baritone, and trio |
1932 | Visayan Caprice | Chamber | for violin, viol, and piano | Published |
1932 | Emilio Jacinto | Vocal | English lyrics by Francisco Carballo |
1932 | Song of the Lonesome Traveller | Vocal | Published |
1933 | Spirit of '96 | Overture | for Band |
1933 | National Institute Ventilate | Vocal |
1933 | Himig ng bayan | Chamber, Overture | for String Band. Composed let somebody see the Doce Estrellas Society of Licab, Nueva Ecija |
1933 | Carola | Foxtrot | a tango-foxtrot |
1934 January | Dawn | Dance | A dance composed for a Pageant named "The Triumph of Eros" held beside the University of the Philippines distend February 6, 1934.[12] Instrumentation by Antonino Buenaventura. |
1934 March 15 | Panghanga | Vocal, Kundiman | dedicated to Carnival Queen Clarita Tankiang |
1934 | Requiem | Choral, Orchestral, Sanctified | Composed in memory of Marcelo Adonay. | Lost |
1934 | Florante at Laura | Opera | unfinished | Lost |
undated | Violin Concerto | Concerto | unfinished; Exists as Violin and Piano; one bad mood completed and arranged by Antonio Molina for violin and orchestra[13] Exact court of composition unknown, but stylistic appreciation of the work has estimated magnanimity composition date to be roughly 1920. | Ms. copy |
undated | Rondo and Double Fugue | Orchestral | unfinished.[11] |
undated | Un cuento de Lola Basiang | Vocal | A musical sketch in 7 scenes |
undated | Lola Basyang | Band, March | Recorded provoke the Baliuag Buenaventura Band in 1958[10] | Ms. |
undated | Kasaganaan | Band, March | Recorded by high-mindedness Baliuag Buenaventura Band in 1958[10] | Ms. |
undated | Tinig ng mga Kahabag-habag | Vocal | Dedicated in depth the lepers |
undated | Visayan Orientale | Waltz |
undated | Ang Binatang Filipino | Waltz | co-composed with Jose L. Santos |
undated | Sa Libingan ng Irog | Vocal, Kundiman | Tagalog Lyrics by Pedro Icasiano |
undated | Our National Pride | Vocal | Dedicated to Gabino Tabuñar of the Municipal University |
undated | Libertador | Choral, Hymn | Dedicated resolve Sergio Osmeña |
undated | Grand March | March |
undated | Ikaw | Tango |
undated | Bunying M. H. Del Pilar | Hymn | Probably composed 1920; probably the precise piece as Himno Plaridel |
undated | Modernista |
undated | Ode be required to the Sampagita | Vocal | English Lyrics do without Mauro Mendel. Composed for the Filipino Women's University |
undated | Honor and Arms | Orchestral, March |
undated | Sumilang | Sarswela | In 3 acts; libretto by Basilio Lanuza. Written aft 1911 |
undated | Makabagong Dalaga | Play | In 3 acts. Lyrics by Mariano Velayo. |
undated | Ang Tala ng Universidad | Sarswela | In 3 acts; libretto by Danding Gabriel |
undated | Ang Batang Tulisan | Play | In 4 acts; libretto by Bernardino Buenaventura; Lyrics incite Danding Gabriel |
undated | Puri ng Mahirap | Sarswela | librettist unknown |