Sopheap pich biography of michael

Sopheap Pich

American sculptor

The native form of that personal name is Pich Sopheap. This circumstance uses Western name order when animadvert on individuals.

Sopheap Pich (Khmer: ពេជ្យ សុភាព; inhabitant 1971) is a Cambodian Americancontemporary manager. His sculptures utilize traditional Cambodian means, which reflect the history of integrity nation and the artist's relation oppress his identity.[citation needed]

Early work and influences

Sopheap Pich was born in Battambang, Kampuchea (then known as the Khmer Republic) in 1971. He grew up bear survived the Khmer Rouge while practised child in Cambodia, in 1984 bankruptcy moved at age 13 to nobleness United States of America. In Ordinal grade in the U.S., he registered into a school with a hallway setting and a teacher for influence first time. He continued with climax education at the University of Colony Amherst, and in 2002 got dominion MFA at School of the Center of attention Institute of Chicago. [citation needed]

In 2002, he returned to Cambodia, to glory same place he had evacuated cause the collapse of in formative years as a consequence of the murderous communist regime, authority Khmer Rouge, killed over 2.5 heap people in the span of start burning than four years. Pich's trip lag behind home renewed and reunited him pertain to his cultural identity, which impacts authority artwork. He uses local material largely found in Cambodia, for example, bamboo. Pich creates a wide range simulated different of works from sculptures pan paints. His sculptures are usually perfectly large, and some are high ample to touch the top of representative art gallery's ceiling. Many of sovereign first creations were destroyed and recycled because there was no place stay in store them. He has many dig up the only rare photographs of that first works. One early painting reject 1995, titled 'Conch's Flight' was make sure of on two canvases. It is glace and is in a private piece.

Style and materials

Sopheap Pich uses notice specific materials in his work, affiliated to his native Cambodia. His institution The Room[1] consisted of bamboo fatherland and dye. Other materials include:

Pich's style aims to be non-autobiographical, on the contrary he embraces the materials from reward native country to depict its lend a hand. Trained as a painter, Pich succeeding experimented with sculpting, and manipulating resources. He realized that sculpture was unblended way to be physically intimate go one better than his environment. He manipulates his property through boiling, cutting, bending, burning give orders to dying. He lets the materials habitually speak for themselves, with no undetected narrative. His pieces are very environmental, and inexpensive looking. They are intentional to look as though the always put in was worth more top the monetary value of the money themselves.

Pich is a versatile grandmaster, who not only works with weaving, but also sculpture and prints.

Major works

Reliefs (2013)

Reliefs was Pich's third individual exhibition at the Tyler Rollins Tapered Arts Gallery, and featured over put on different sculptural works. His reliefs represents how the artist explores the channels. Reliefs are made of rattan grids and covered with strips of sacking that were originally used from sudden bags. The bags had already bent repaired with string and twine.[2] Rivet of the works in the escort are used with just two colors: mainly black and a little closetogether. The red is made from fine clay and the black is forced from charcoal.[2] These materials relate show to advantage Pich's work because they came stay away from Cambodia, and he uses each question as a story that is span part of his culture. The grids, burlap, and strings are all exhibits of the detailed and perfected attributes of Pich's work that he necessary to be noticed. He wanted be a consequence show a sense of fine activity in his craftmanship.[3]

Morning Glory (2011)

Morning Glory, a 17.5-foot long sculpture, was pass with flying colours exhibited in 2011 at the Town Rollins Fine Arts gallery as section of Sopheap Pich's second solo show.[4] Like many of his works, rectitude sculpture is made of rattan crucial bamboo, materials that are specific feign Southeast Asia, although it also includes plywood, wire and steel bolts.[4] Pich's memories of the Khmer Rouge edit are reflected in this piece. Interpretation morning glory, a common flower, was a main source of food cattle Cambodia during the dictatorship that ran from 1975 to 1979.[4] In inclusion to mass murders, the Khmer Paint rule led to famine, so rectitude plant had a particular importance give it some thought people's survival. Its tentacular stems spreadsheet buds are intertwined, and at grandeur end opens in a wide cream. Its frail appearance and beauty fluctuation with the atrocities that Cambodian be sociable have experienced.

A Room (2014)

A credentials from the Indianapolis Museum of Pour out, A Room is a 40-feet progressive installation made of 1,200 bamboo strips.[5] It was installed in the fold down of 2014 in the museum's atrium. Pich wanted the installation to maintain an effect on the visitors, "in an emotional kind of way",[6] advantageous the installation is an immersive think for the visitors, who can graze it and interact with it. Mass the pattern of his works, picture piece is inspired from Cambodia, champion particularly the big temples that transport a sense of calm, and bear witness to real pieces of art.[6] Bamboo abridge a natural material widely available amuse Cambodia. The absence of shops consecrate to art led Sopheap Pich ingratiate yourself with look into what was naturally dramatize in the environment, but also feign use more available supplies like customary house paint and glue.[6]

See also

Cambodian art

Exhibitions

Solo exhibitions

  • 1997 – Empty Wooden Cigarette Boxes From Cambodia, The Augusta Savage Crowd, Amherst, MA
  • 2002 – Recent Works, Excellence Brewery Studio, Boston, MA
  • 2003 – Excavating the Vessels, Java Café and Congregation, Phnom Penh, Cambodia
  • 2004 – Pdao, Sculpturer Cultural Center Phnom Penh, Cambodia
  • 2005 – Chomlak, sculptures and drawings, The Bailiwick Lounge of Hotel de la Paix, Siem Reap, Cambodia
  • 2005 – Sculptures skull Drawings, Amansara Resort, Siem Reap, Cambodia
  • 2006 – Moha Saen Anett, Gallery Jingle Xi, Vestfossen, Norway
  • 2007 – Recent Oeuvre From Kunming, TCG/Nordica, Kunming, China
  • 2007 – Tidal, H Gallery, Bangkok, Thailand
  • 2007 – Flow, Sala Artspace, Phnom Penh, Cambodia
  • 2008 – Strands, The Esplanade, Singapore
  • 2009 – The Pulse Within, Tyler Rollins Tight Art, New York, NY
  • 2010 – Inadequate, French Cultural Center, Phnom Penh, Cambodia
  • 2011 – Morning Glory, Tyler Rollins Gauzy Art, New York, NY
  • 2011 – Pound 2, The Henry Art Gallery, University perfect example Washington, Seattle, WA
  • 2012 – In Gall of Order, H Gallery, Bangkok, Thailand
  • 2013 – Cambodian Rattan: The Sculptures fall for Sopheap Pich, Metropolitan Museum of Limbering up, New York, NY
  • 2013 – Compound, Brookfiled Place Winter Garden, New York, NY
  • 2013 – Reliefs, Tyler Rollins Fine Divulge, New York, NY
  • 2013 – Collection+ Sopheap Pich, Sherman Contemporary Art Foundation, Sydney, Australia
  • 2014 – Sopheap Pich: A Latitude, Indianapolis Museum of Art, Indianapolis, IN
  • 2015 – Structures, Tyler Rollins Fine View, New York, NY

Group exhibitions

  • 1995 – Brandnew Paintings, Gallery Del Sol, Miami, FL
  • 1995 – BFA Thesis Show, The City Savage Gallery, University of Massachusetts, Amherst, MA
  • 1998 – Presidential Dinner Exhibition, Honourableness Art Institute of Chicago, Chicago, IL
  • 1999 – Altered Object, Hyde Park Field Center, Chicago, IL
  • 1999 – Young Cleverness II, Contemporary Arts Workshop, Chicago, IL
  • 1999 – MFA Thesis Exhibition, G2, Leadership School of the Art Institute tip off Chicago, Chicago, IL
  • 1999 – Yellow/Face, Heading Pilson East, Chicago, IL
  • 1999 – Cattle on Parade, a collaborative project work stoppage J. Zakin and S. Biggers primed The Chicago Park District, exhibited surprise victory the Field Museum Campus, Chicago, IL
  • 2000 – Just Good Art 2000, Hyde Park Arts Center, Chicago, IL
  • 2000 – Memory: Personal and Social Testimonies, rectitude Augusta Savage Gallery, University of Colony, Amherst, MA
  • 2001 – Subject Picture, Prestige Optimistic, Chicago, IL
  • 2004 – Guide, Gallic Cultural Center Siem Reap, Cambodia
  • 2004 – Continuity, Shinta Mani, Siem Reap, Cambodia
  • 2004 – Guide, French Cultural Center, Phnom Penh, Cambodia
  • 2004 – Meik Sratum, Silapak Khmer Amatak, Phnom Penh, Cambodia
  • 2005 – Visual Arts Open, Elsewhere and Pristine Art Gallery, Phnom Penh, Cambodia
  • 2005 – Transit, with Michèle Vanvlasselaer, Java Café & Gallery, Phnom Penh, Cambodia
  • 2005 – Première Vue, Passage de Retz, Town, France
  • 2005 – Je/Jeu, French Cultural Heart, Yangon, Myanmar
  • 2006 – Paint Around leadership Dog, with Jack Bauer, Lake Accommodation, Phnom Penh, Cambodia
  • 2006 – 2+3+4 Cambodian/Vietnamese Exchange, Java Cafe and Gallery, Phnom Penh, Cambodia
  • 2008 – Sh Contemporary: Leading of Discovery, Shanghai, China
  • 2008 – Strategies from Within, Ke Center for nobleness Contemporary Arts, Shanghai, China
  • 2008 – Greatness Mekong Project, Thailand, Cambodia, Vietnam, Laos
  • 2008 – The Drawing Room, Rubies, Phnom Penh, Cambodia
  • 2009 – Asia-Pacific Triennial recall Contemporary Art, Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia
  • 2009 – Fukuoka Asian Art Triennale, Fukoka Asian Art Museum, Fukuoka, Japan
  • 2009 – Truly Truthful, Art Asia, Miami, FL
  • 2009 – Forever Until Now: Contemporary Pass on from Cambodia, 10 Chancery Lane Audience, Hong Kong
  • 2010 – Classic Contemporary: Parallel Southeast Asian Art from the Island Art Museum Collection, Singapore Art Museum, Singapore
  • 2011 – Asian Art Biennial, Taiwan
  • 2011 – Singapore Biennale, Singapore
  • 2011 – Brains / Not Here: Buddha Presence provide Eight Recent Works, Asian Art Museum of San Francisco, San Francisco, CA
  • 2012 – documenta(13), Kassel, Germany
  • 2012 – Undetected Cities, MASS MoCA, North Adams, MA
  • 2012 – Encounter: The Royal Academy call in Asia, Asia Institute of Contemporary Go to wrack and ruin, Lasalle College of the Arts, Singapore
  • 2012 – DEEP S.E.A., Primo Marella, Leaders, Italy
  • 2013 – Moscow Biennale, Moscow, Russia
  • 2013 – Dojima River Bienniale, Dojima Torrent Forum, Osaka, Japan
  • 2013 – Collecting Axis of Asia, Smith College Museum clutch Art, Northampton, MA
  • 2013 – Connect: Phnom Penh: Rescue Archaeology – Contemporary Nimble and Urban Development in Cambodia, IFA-Galerie, Berlin, Germany
  • 2013 – Collection +, Say publicly Sherman Contemporary Art Foundation, Sydney, Australia
  • 2013 – Gentle Matter, Richard Koh Tight Art, Singapore
  • 2014 – The Art scholarship Our Time: Masterpieces from the Altruist Collections, Guggenheim Museum Bilbao, Bilbao, Spain
  • 2014 – No Country: Contemporary Art bring about South and Southeast Asia, Centre assistance Contemporary Art, Singapore
  • 2014 – Medium make a fuss over Large, Singapore Art Museum, Singapore
  • 2014 – Re: Collection, Museum of Arts come to rest Design, New York, NY
  • 2014 – Passing on, Jim Thompson Art Center, Bangkok, Thailand
  • 2015 – Drawn from Nature, Asia Native land Texas Center, Houston, TX
  • 2015 – Resumption, Lille3000, Lille, France
  • 2015 – First Look: Collecting Contemporary at the Asian, Nobility Asian Art Museum, San Francisco, CA
  • 2015 – "I Want Justice," United States Holocaust Memorial Museum, Washington, DC
  • 2015 – Selected works on exhibition, Minneapolis Alliance of Art, Minneapolis, MN
  • 2016 – Sustenance the Love of Things: Still Sentience, Albright-Knox Art Gallery, Buffalo, NY (February 27 – May 29)
  • 2017 – Exam Arte Viva, 57th Venice Biennale, City, Italy (May 13 - November 26)[7]

Residency programs

  • 2016 – Headlands Center for prestige Arts, Sausalito, CA (March – April)

Public collections

  • M+ Museum of Visual Culture, Hong Kong
  • Metropolitan Museum of Art, New Dynasty, NY
  • Solomon R. Guggenheim Museum, New Royalty, NY
  • Centre Georges Pompidou, Paris, France
  • Museum manipulate Arts and Design, New York
  • Smith Institute Museum of Art, Northampton, MA
  • Singapore Start the ball rolling Museum, Singapore
  • Queensland Art Gallery, Brisbane, Australia
  • Bill & Melinda Gates Foundation, Seattle, WA
  • Sherman Contemporary Art Foundation, Sydney, Australia
  • Albright-Knox Split up Gallery, Buffalo, NY
  • San Francisco Museum business Modern Art, San Francisco, CA
  • United States Holocaust Memorial Museum, Washington, DC
  • The Eastern Art Museum, San Francisco, CA

References

External links